FACTOIDS & TRIVIA
Kay acoustic archtops were generally designed for the budget market in the post-World War II years. However, they did make several models of professional quality archtops - 4 non-cutaway and 2 cutaway. The K-44 model was fourth in this line with a solid (pressed) spruce top and laminated maple back and sides. Still, it provided a good sounding alternative to the much more expensive 17-inch Gibson and Epiphone archtops. Like all archtops, this one has the less common blonde (natural) finish.
KAY K-44 (1956)
Body:
Hollow; solid 1-piece spruce top, laminated 1-piece figured maple back,
and laminated figured maple sides, double bound top, single
bound back
Finish: Natural, nitrocellulose lacquer
Neck: 1-piece maple, set-in; single bound headstock with engraved celluloid overlay
Fingerboard: Brazilian rosewood, single bound; pearloid "W" markers
Number of Frets: 19
Pickguard: White, plastic
Bridge: Brazilian rosewood on rosewood base with nickel trapeze tailpiece
Nut: Plastic
Tuners: Kluson Deluxe, nickel
Pickups: None
Controls: None
Scale Length: 25 1/2 inches
Neck Width at Nut: 1 1/2 inches
Body Width at Lower Bout: 17 1/4 inches
Body Depth: 3 1/2 inches
Weight:
n/a